When we set out to make a film about Oly, the goal was simple: let him lead.
We had a thesis, a loose arc, but knew the story would reveal itself over time.
Shot over two weeks on the mighty Dean River in remote British Columbia, the process was less about directing and more about observing. Two interviews, a third that didn’t quite go to plan (turns out interviewing a nine-year-old is harder than expected), and the rest, just time spent in Oly’s world.
Chasing toads, exploring the shoreline, the forest, watching the bears, hanging with Gordy the grouse, and doing chores around the lodge. Living moment to moment and observing with camera’s always at the ready.
Like most projects like this, the story wasn’t fully clear until the edit. But somewhere in all of it, that perspective we were chasing started to take shape.